Uh, uh, check it out (yeah), uh
Junior M.A.F.I.A., uh (he-he)
Uh (I like this) yeah, yeah
Nine-fo’ (keep bangin’)
To all the ladies in the place with style and grace
Allow me to lace these lyrical douches in your bushes (uh)
Who rock grooves and make moves with all the mamis?
The back of the club, sippin’ Moët is where you’ll find me (what?)
The back of the club, mackin’ -, my crew’s behind me (uh)
Mad question askin’, – passin’
Music blastin’, but I just can’t quit
Because one of these honeys Biggie got to creep with (that’s right)
Sleep with, keep the ep a secret, why not? (Uh)
Why blow up my spot ’cause we both got hot?
Now check it, I got more mack than Craig, and in the bed
Believe me, sweetie, I got enough to feed the needy (come on)
No need to be greedy, I got mad friends with Benzes
C-notes by the layers, true to life players (uh)
Jump in the Rover and come over, tell your friends jump in the GS3
I got the – by the tree (let’s go)
I love it when you call me Big Poppa
Throw your hands in the air if you’s a true player
I love it when you call me Big Poppa
To the honeys gettin’ money, playin’ fellas like dummies
I love it when you call me Big Poppa
You got a – up in your waist, please don’t shoot up the place (why?)
‘Cause I see some ladies tonight that should be havin’ my baby (uh), baby (uh)
Straight up, honey, really I’m askin’
Most of these fellas think they be mackin’, but they be actin’
Who they attractin’ with that line (what?), “What’s your name? What’s your sign?”
Soon as he buy that wine, I just creep up from behind (that’s right)
And ask you what your interests are, who you be with
Things that make you smile, what numbers to dial
You gon’ be here for a while? I’m gon’ go call my crew, you go call your crew
We can rendezvous at the bar around two (come on)
Plans to leave, throw the keys to Little Cease (uh-huh)
Pull the truck up front, and roll up the next blunt
So we can steam on the way to the telly, go fill my belly (G)
A T-bone steak, cheese eggs and Welch’s grape
Conversate for a few, ’cause in a few we gon’ do
What we came to do, ain’t that right, boo? (True)
Forget the telly, we just go to the crib
And watch a movie in the jacuzzi, smoke – while you do me
I love it when you call me Big Poppa
Throw your hands in the air if you’s a true player
I love it when you call me Big Poppa
To the honeys gettin’ money, playin’ fellas like dummies
I love it when you call me Big Poppa
You got a – up in your waist, please don’t shoot up the place (why?)
‘Cause I see some ladies tonight that should be havin’ my baby (uh), baby (uh)
In mansion and Benzes
Givin’ ends to my friends, and it feels stupendous
Tremendous cream, fuck a dollar and a dream (heh)
Still tote gats, strapped with infrared beams (that’s right) (what?)
Choppin’ Os (uh-huh), smokin’ la in Optimos
Money, – and clothes, all a nigga knows (all a nigga knows)
A foolish pleasure? Whatever
I had to find the buried treasure (for what?), So grams I had to measure
However, livin’ better now, Coogi sweater now
Drop top BMs, I’m the man, girlfriend
About Notorious B.I.G
Christopher Wallace, better known as Biggie Smalls, was born on May 21, 1972, in Brooklyn, New York. A welder and small-time politician, Selwyn George Latore was the son of Jamaican parents Voletta Wallace and Selwyn George Latore. He was raised in Bedford-Stuyvesant, a poor Brooklyn neighborhood. He declared that crack sales were his only source of income after dropping out of high school at the age of seventeen. It was common for a young Black man living in the ghetto to hustle his way through life. It was a risky career choice for him. After a trip to North Carolina for a routine drug exchange, the soon-to-be MC ended up in prison for nine months. In a basement, Biggie recorded some hip-hop tracks using a friend’s four-track tape recorder. New York radio stations then played the tapes.
As a result of his weight, Wallace named himself Biggie. Despite being overweight, dark-skinned, and having a crook in his eye, Biggie was a charmer. Sean Combs, a young impresario and sometime producer, heard Biggie’s early tapes. Puffy was impressed and signed Biggie to his new label, Bad Boy Records.
Puffy and Biggie collaborated on the artist’s first album, giving birth to the Notorious B.I.G. Biggie first appeared on the Who’s the Man album. Soundtrack from 1991. As a result of these successes, the album he had been working on earlier was completed and released in 1994, named “Ready to Die.” It was certified platinum quickly, and Notorious B.I.G. was named MC of the Year at the 1995 Billboard Music Awards. As a result of the album’s success, Biggie went back to get his friends, some of whom did not even rhyme. While he was accused of beatings, drugs, and weapons, Biggie was often described as a kind and gentle individual. Eventually, he met a rapper named Tupac Shakur on the west coast, and they became friends.
Tupac often gave Biggie advice and supported him. November 30, 1994, however, marked the beginning of hip-hop’s most violent era. Biggie and Puffy were recording at Quad Recording Studios in Manhattan when Tupac went there to record with another rapper for his third studio album, “Me Against The World”. In the lobby, Tupac was robbed of $40,000 worth of jewelry at gunpoint. He was shot five times. Tupac was just about to be loaded into an ambulance when Biggie rushed down. In a middle finger gesture, Pac blamed Biggie for the shooting, saying he was aware of it but did not warn him. The rivalry between East and West Coasts was sparked by this. Injuries to Tupac were later treated and he recovered. Biggie admitted to being scared during this encounter. Tupac never responded to any of Biggie’s disses. There was a strong rumor that Tupac and Faith Evans were having a love affair after Tupac attacked Biggie in every way he could.
